Monday, April 22, 2013

Of the Tribe? Casting a Wider Net for New Details

     The rate at which new information is being digitized and made available online sometimes leaves us scrambling to keep up.  I've developed the habit of checking and regularly for new record groups, as well as other online providers.  Another approach is to plug a name of interest into the home page search fields, and see what turns up.
     Recently, I did a double take, when the name of my relative, Jack C. Francis, appeared in an resource titled "U.S., WWII Jewish Servicemen Cards, 1942-1947."  Now, "my" Jack had been a Catholic schoolboy in Chicago prior to joining the Army, so I thought it unlikely that this entry was for him.  However, the name is pretty specific, so I definitely wanted to have a look.  Imagine my surprise at seeing that the digitized card did indeed refer to the Jack C. Francis I'm related to.  His father is listed as next of kin, and there's a residence address I'm familiar with.
     Further reading about the data set indicates that these records were compiled by the National Jewish Welfare Board, as part of the Bureau of War Records.  This was an organization which documented the role of the Jewish-American service personnel.  The cards were made of information extracted from service files. They had a color-coded system:  the red strip on the card of Jack Francis indicates wounded.  The explanation states that the cards might even indicate whether the subject turned out not to be Jewish, although that isn't the case here.

     This, combined with the combat history book (a lot like a yearbook of his unit), gives us some excellent detail about Jack's time in the service, despite the loss of so many of the WWII personnel files in the fire of 1973.  Of particular interest is the date and page number on this card, and what other information they might lead to.
     Jack always said that the kind of religion you practiced didn't matter in a foxhole...apparently, he was right.
     Another example of casting the net wider for new information.

Friday, April 12, 2013

Take Note: Memories Set to Music


     Although not blessed with musical talent myself, I've had a lifelong appreciation for song.  There are some vivid memories I associate with music, which probably contributed to this enjoyment.
     My grandmother certainly made an impression, by regularly singing snatches from a couple of pieces from the early part of the 20th century.  The first was K-K-K-Katy, a WWI favorite written in 1917, and published in 1918.  It made a real impression on her at the time:  not only did it make use of her first name, but she was a young teenager, and full of romantic dreams.  I have the original sheet music from that time.  Someone has posted a recorded portion to Youtube at , set to a an appropriate slide show, including a picture of the sheet music.
     Another gem from her childhood, and passed on to me, was the 1906 tune about Arrah Wanna, the Indian maiden who married Irishman Barney Carney.  Nothing about this song is historically authentic or politically correct, which didn't register on my little kid mind.

   The chorus, which is the only part I knew, went like this:

                                                    Arrah Wanna, on my honor,
                                                    I'll take care of you,
                                                    I'll be kind and true
                                                    We can love and bill and coo,
                                                    In a wig-wam built of sham-rocks green
                                                    We'll make those red men smile,
                                                    When you're Misses Barney,
                                                    heap much Carney,
                                                    from Killarney's Isle.

The online National Jukebox section of the Library of Congress has an original recording at .
     My mother updated the musical tradition, by singing snatches of her own favorites.  One sounded to me like, "I don't want a rickshay romance," but turns out to be a song titled Ricochet Romance, released in 1953.  I think Mom never got beyond the first line of the chorus:  "I don't want a ricochet romance, I don't want a ricochet love." Another random lyric of hers was, "Bongo, bongo, bongo, I don't want to leave the Congo." I was shocked when I heard this ditty sung on a recording by Danny Kaye and the Andrews Sisters, from 1947. The song is actually titled "Civilization," and is quite long and complicated. Another short sample of hers was "Let's take a boat to Bermuda." She got a little bit farther in this one, which was titled "Let's Get Away From it All," originated by Tommy Dorsey. I remember this bit:
Let's take a boat to Bermuda
Let's take a plane to Saint Paul
Let's take a kayak, to Quincy or Nyack,
Let's get away from it all.

     And, finally, her classic take on the 1949 show tune from South Pacific, "Bali Hai."  Instead of Bali Hai, she'd bellow, to the same tune:  "BELLY ACHE!"  We'd all guffaw at that one, without a clue of the song's origins.
     You can bet that hearing any of these instantly transports me back to a very different time and place.